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Film Editing and Narratology
KAVKA, Vojtěch
This bachelor work deals with theory of narration in the film art, cut composition and their interrelationship. Concretely, this work is based on David Bordwell´s narration theory. Film cut possibilities are explained in conjuction with this theory. These possibilities are used for method exploration of characters introducing and their function in the whole film structure. The last part of this work is based on previous parsing of chosen characters from selected two-part film by director Quentin Tarantino whose narration style and the way of formation are described by this analysis.
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Towards the Boundaries of Fictional Narrative
Pčola, Marián ; Glanc, Tomáš (advisor) ; Svatoň, Vladimír (referee) ; Derlatka, Tomasz (referee)
My thesis examines the nature of contemporary fictional narration and explores its relations to other types of narration - mainly texts where educational or informative function prevails over the aesthetic one. The whole work is divided into four parts. The first part is theoretical; it sets up basic areas of interest and names methods, tools and models that will be tested on selected examples from Slavonic literatures. The second part analyses spatial and temporal relations of fictional narrative. Chapter 2.1 treats time and space in a novel mostly from the compositional point of view (based on the example of Sasha Sokolov's A School for Fools), while in the next chapter, focusing on ideational interconnections between literary and social- political utopias, both fictionality and temporality are understood more broadly than mere narrative categories: they serve as certain points of connection between the immanent occurrence of meaning in the "world of text" and its historical background. The third part continues in this direction, only what we mean by context here is not the collective historical background, but an individual sphere of everyday life. Our focus switches to two genres standing on the boundary of literary fiction and non-fiction - personal correspondence and a travel journal (travelogue). The...
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Mythological and Mythogenic Aspects of Star Wars and the Specificities of its Stories in Regard to Serialized Storytelling
Pavlíček, Milan ; Bílek, Petr (advisor) ; Činátlová, Blanka (referee)
Mythological and Mythogenic Aspects of Star Wars and the Specificities of its Stories in Regard to Serialized Storytelling covers the six stories of the Star Wars series in relation to Emil Volek's story model whose terminology and story typology is used to describe how the stories influence one another, which is to say, how the stories influence the reception of the other stories in the series and how the reception has changed over time. The diploma thesis also examines how myth is being applied to Star Wars and reflects whether such connection is justified. Both Star Wars and myth are given a definition and the relationship between the series and Joseph Campbell's monomyth, a concept frequently connected to Star Wars, is explored. The final part of the text describes narrative elements and processes participating in the creation of the original trilogy. An appendix covers various issues in regard to the translation of the series into Czech and briefly evaluates existing translations.
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